Adele Gardner

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Adele's poetry book Dreaming of Days in Astophel (byline Lyn C. A. Gardner) is available signed from the author. Please include "Dreaming of Days in Astophel" in the subject line.

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Del and Adele

Del and Adele

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(c) Copyright to photographs on this page (except publication covers and photo by Frederick H. Evans) owned by Adele Gardner; her creation and/or from her collection. Menu portraits by Daniel Michael Hegarty Sr. (left) and Adele Gardner (right).

Mystery Weekly Magazine, Nov. 2018

“Bonnie Parker Sings the Blues” by Adele Gardner: In a parallel world, Bonnie & Clyde didn't die in a hail of bullets; they became jazz musicians. But the Bonnie who died in our reality is still greedy to be reunited with Clyde, and she fights to steal the living Clyde from Bonnie the jazz singer.

Dad's Latest Publication, Read by Adele

About My Dad & Me

Delbert & Adele Gardner are a father & daughter team of writers, poets, and scholars of William Morris, the Pre-Raphaelite poet and designer. Adele (Carolyn Adele Gardner) received her middle name as a play on her father's name, Del.

Dad loved all his children equally (and dearly). I simply happen to be the firstborn who is carrying on his traditions of writing, scholarship, editing, and publication. Our entire family loves his writing and carries on his love of jazz, the Baltimore Orioles, the Miami Dolphins, Keuka Lake, comedy, crooners, the Road pictures, Eldridge Park & carousels, a great sense of fun, being "young at heart," our family, and so much more. Welcome to the House of Del. We thank you for stopping by!

Let's have a writing session together! Tune in to some jazz at the 1920s Radio Network, open your briefcase, get your drafts from your manila folder, pull out a clean sheet, prime your red mechanical pencil, and let's get started!

Ever since I was tiny, I wanted to be a writer like my father. Dad read us poems and stories at the dinner table, including his own, often with great laughter. My parents met in one of my father's creative writing classes, and I attended writer's conferences as a toddler (where I met Madeleine L'Engle). I grew up in a house filled with talk of Dad's submissions and joy about his publications; the clatter of his big black manual typewriter up in Dad's study when I was small, and later Mom's electric typewriter buzzing through his manuscripts at speed; and times when Mom would encourage us children to give Dad quiet time to write--with his pipe on the porch at the lake, or after dinner at the big desk in our parents' room. I wrote my first "book" at age four, got serious about writing as my life's ambition at ten (even learning to type), and began submitting science fiction stories at fourteen, with Dad showing me the ropes of the submission process. As a teen, I could even follow Dad in a store, jotting in my notebook while crouching beside shelves or strolling down the aisle. Dad offered me valuable critiques and feedback throughout my life, his lessons always geared toward my age level. When I began attending graduate fiction workshops, he asked me to critique his own work, and we would have writing sessions together, sharing a smile or craft-related conversation across the table--at the yellow Formica dining room table, out back in lawn chairs, at the picnic table on Grandma's porch, or at the CNU Writer's Conference.

Adele Gardner Is Agent & Literary Executor for Delbert R. Gardner

With Dad featured on my websites since 2000, in 2008 I took on the role of Dad's agent, and we began collaborating; we also discussed and planned future collaborations. As I promised, I continue to act as his literary executor, and there will be more collaborations to follow! Please note that all of the works of Delbert R. Gardner continue to enjoy copyright protection, and that I act for his literary estate on behalf of my mother, Marilyn H. Gardner. (Delbert R. Gardner has no "orphan works.")

We had so much fun together. And we continue to do so! Love never dies.

I'm always thrilled when our work appears in print together. Here are some places where Dad and I have had our work published together, often as part of a Father & Daughter Special Feature. More about our joint efforts follow this list!

Published Collaborations by Father & Daughter Team

More Father & Daughter Appearances Together

Blue Moon: Literary & Art Review, April 8, 2019.

Songs of Eretz Poetry Review, Sun., June 28, 2015, in the "Poetry Review Father & Daughter Special Feature: Poems by Adele and Delbert R. Gardner."

Songs of Eretz Poetry E-Zine, Aug. 2014 first anniv. iss., as part of a Father & Daughter Special Feature.

Songs of Eretz Poetry E-Zine, Vol. 2, Iss. 2, No. 9, Nov. 2014, as part of a Father & Daughter Special Feature.

The 2016 Rhysling Anthology: The Best Science Fiction, Fantasy and Horror Poetry of 2015, Ed. Charles Christian, Science Fiction and Fantasy Poetry Association, 2016.

The 2015 Rhysling Anthology: The Best Science Fiction, Fantasy, and Horror Poetry of 2014, Ed. Rich Ristow, Science Fiction and Fantasy Poetry Association in cooperation with Hadrosaur Productions, 2015.

The 2010 Rhysling Anthology: The Best Science Fiction, Fantasy and Horror Poetry of 2009, Ed. Jaime Lee Moyer, Science Fiction and Fantasy Poetry Association, 2010.

StarShipSofa No. 423, Kary English, Feb. 17, 2016, Poetry Planet No. 16: Animals & Creatures, hosted by Diane Severson.

Tales of the Talisman, Vol. 9, Iss. 3, Winter 2013/14.

  • “Persephone’s Dream” by Delbert R. Gardner
  • "Die Alone, the Demon Said" by Adele Gardner

Star*Line 33.4, July/Aug. 2010.

  • "To the Muse of Something" by Delbert R. Gardner
  • "Schrödinger's Catsitter" by Adele Gardner

Hazard Cat accepted these at the same time:

The 2009 Rhysling Anthology: The Best Science Fiction, Fantasy & Horror Poetry of 2008, Ed. Drew Morse, Science Fiction and Fantasy Poetry Association, 2009.

  • "Tammuz to Ishtar" by Delbert R. Gardner
  • "The Dispossessed" by Adele Gardner

Status Hat, Cities issue, Mar. 2011. Editor Meagan Dye included a special section titled "Destination Home" that featured Adele & Delbert R. Gardner. Though the journal is no longer online, the Gardner content is available here, and there's a brief post about it on the Status Hat Productions Facebook page: Poetry Moment: Destination Home, Mar. 9, 2011.

The Gardners and William Morris

Delbert R. Gardner earned his Ph.D. in English (Victorian literature) from the University of Rochester with a dissertation on William Morris. Following in her father's footsteps, Adele (Carolyn Adele Gardner) earned her M.A. in English Literature (Creative Writing and Victorian Literature) from Old Dominion University with a thesis on William Morris. Read on for their William Morris credits to date.

Dad introduced me to William Morris when I was 13; among the first things I read and loved by this fantastic poet were The Life and Death of Jason and The Defence of Guenevere, and Other Poems. From there Dad went on to introduce me to many other fabulous poets and writers. While Dad had always taken an interest in my writing and brought to me the love and joy of great fiction and poetry, I date our literary mentorship to this period.

One of the many things I love about the life and work of William Morris is his relationship with his daughter, May, who became his acolyte, working with him as a designer in the Firm of Morris & Co. (she became Director of the Embroidery Department) and joining him in Socialism. May Morris would later go on to act as protector and preserver of her father's works, editing the 24-volume set of The Collected Works of William Morris. Even before I became Dad's literary executor, I loved the parallel we shared with their close & artistic relationship.

In the summer of 2016, I made my first pilgrimage to the University of Rochester, River Campus Libraries: Rare Books, Special Collections and Preservation to see Dad's dissertation. The Rare Books & Special Collections Staff were so kind and helpful, especially Esther Arnold, who went above and beyond in her efforts to unite me with archival materials relating to Dad and William Morris. I can't wait till next summer, when I will return and view more of the Kelmscott Press books firsthand!

Note that the wallpaper for the current websites of Del & Adele is closely adapted from William Morris's designs; many of the titles on the site also use fonts created by William Morris, especially Golden.

Learn more about William Morris, the Kelmscott Press, the Arts & Crafts Movement, & the Pre-Raphaelites:
The William Morris Society in the United States
The Pre-Raphaelite Society
Pre-Raphaelite Sisterhood

Works on William Morris by Delbert R. Gardner

Works on William Morris by Adele Gardner

Gardner Collaborations on William Morris & the Pre-Raphaelites

Above & below: Delbert R. Gardner and Adele Gardner

Above: Delbert R. Gardner by Adele Gardner (portrait on film, printed in the darkroom)

More about Del & Adele

Adele (daughter) and Marilyn (wife) prepared an author's statement that includes something about our literary relationships with Dad, including his encouragement and mentorship, and our help submitting his work, to accompany "Persephone's Dream," Timeless Tales, Iss. 11, May 2020, Hades & Persephone, complete with audio read by Adele Gardner.

For more about Dad's approach to life, read the "Statement on Beauty" at the end of "New Wings for the Muse," Peacock Journal, Jan. 12, 2017.

For more about our literary relationship, see page 4 of “Openers: For the Love of Reading” by Lyn C. A. Gardner and Cy Dillon, Virginia Libraries, Vol. 54, No. 3-4, July/August/September-October/November/December 2008.

A biography of Dad & his cat in "Our Mother Tongue,"Hazard Cat, Feb. 9, 2011.

Adele talks about her connection with her father on the biography pages for Delbert R. Gardner and Adele Gardner.

At the end of the poem: Commentary by Adele Gardner on "Hollow Beats the Night" by Delbert R. Gardner, Songs of Eretz Poetry Review, Sun., June 28, 2015, in the "Poetry Review Father & Daughter Special Feature: Poems by Adele and Delbert R. Gardner."

At the end of the poem: Commentary by Adele Gardner in consultation with Marilyn H. Gardner on "'The More It Changes . . . '" by Delbert R. Gardner, Songs of Eretz Poetry Review, Sun., June 28, 2015, in the "Poetry Review Father & Daughter Special Feature: Poems by Adele and Delbert R. Gardner."

At the end of the poem: Commentary by Adele Gardner on "After Hearing Frost at Eleven" by Delbert R. Gardner, Songs of Eretz Poetry E-Zine, Vol. 2, Iss. 2, No. 9, Nov. 2014, as part of a Father & Daughter Special Feature.

At the end of the poem: Poet's Notes for "WWII Muscles" by Adele Gardner, Songs of Eretz Poetry Review, Sun., June 28, 2015, in the "Poetry Review Father & Daughter Special Feature: Poems by Adele and Delbert R. Gardner."

At the end of the poem: Poet's Notes for "Row Your Boat Ashore" by Adele Gardner, Songs of Eretz Poetry Review, Sun., June 28, 2015, in the "Poetry Review Father & Daughter Special Feature: Poems by Adele and Delbert R. Gardner."

The following site is no longer available online; however, the Gardner content is available here. This includes our personal statement in "Editor's Note Regarding Gardner Poetry" as part of "Destination Home," in Status Hat, Cities issue, March 2011, along with our bios and the poems "Refreshment from Beyond the City's Grasp" by Adele Gardner and "Scenes in an Airport" by Delbert R. Gardner. Though the journal is no longer online, here's a brief post about it on the Status Hat Productions Facebook page: Poetry Moment: Destination Home, Mar. 9, 2011.

Above: Adele Gardner as William Morris, RavenCon, "Dead Authors Society," 2009. Photo by Marc Nucup, from the collection of Adele Gardner.

Above: "Kelmscott Manor: In the Attics," platinum print by Frederick H. Evans, 1896.

Frederick H. Evans visited William Morris at Kelmscott Manor in 1896 and photographed twenty-seven views, many of them subjects suggested by the Pre-Raphaelite poet. When Morris died soon thereafter, Evans's photographs were published along with an article commemorating Morris's life and art. This particular image helped inspire my story of the same title ("Kelmscott Manor: In the Attics" by Adele Gardner). My father and mentor, Delbert R. Gardner, introduced me to Morris when I was 13; he himself authored both a book and dissertation on Morris, a tradition I carried on with my master's thesis.


Information about the two photographs by Adele Gardner at the bottom of this page:

Dove and Delbo appeared in the following exhibition: Handle with Care: A Juried Exhibition of Works Expressing the Balance between Humans and Nature, Suffolk Art Gallery, Suffolk, VA, April 23-June 3, 2016. Displayed: Spivy Reflections and Dove and Delbo

Adele Caticus appeared in the following exhibition: Open (C)all, Virginia Museum of Contemporary Art (MOCA), Virginia Beach, VA, May 21 to August 16, 2015. Displayed: Adele Caticus, after Dali Atomicus by Philippe Halsman

Dove and Delbo, Artist Statement by Adele Gardner

I captured this image while my father, Delbert R. Gardner, affectionately known as Delbo, sang to my dove Fionnovar. The dove, a symbol of peace and accord, here also represents the amazing beauty, complexity, and fragility of the natural world, which must be carefully handled to survive and thrive. But so, too, does my dad, an elder statesman full of wisdom, joy, good humor, and zest in life, whose late-life family knew to treasure and enjoy every moment with a gentle husband and father whose personal philosophy was to "start out each day with a song." Delbo tended us children and other living creatures with care, planting that song in our hearts as he cheered us each morning by singing to us and our pets when it was time to rise and shine. Both Dove and Delbo are cherished examples of the wonders of our natural world, both fragile and precious, deserving of protection and respect. Their harmony here as they share their songs can inspire us with the protective love and devotion that will allow us to enjoy Earth's beauty for many years to come!


Want to hear about more about my dad & me?