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Adele
Gardner Is Agent & Literary Executor for Delbert R. Gardner
Please note that (c) copyright
to all photographs on this page except for publication
covers & logos is owned by Adele Gardner and/or the Gardner
family. Photos were created by Adele Gardner and/or are from her
collection and that of the Gardner family. Menu portraits created
by Adele Gardner (left & center) and Daniel Michael Hegarty
Sr. (right). All rights reserved.
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Poetry
Review--"The
Meek Shall Inherit . . . (The Earthworm Speaks)" by Delbert
R. Gardner
J.
C. Runolfson ("Jules") reviews Goblin Fruit Summer
2009 in Seajules, July 15, 2009.
This is not the end of the feast,
however, though it be the end of the courses.
For all their greed, goblins do like to boast, and thus are two
more dishes
offered for the tasting. The first is "The Meek Shall Inherit..."
by Delbert
Gardner, a suitably mild title to lull one after a full meal. Be
careful when
you bite, however; this one contains worms, one of which might just
squirm where your laughter lies, to free it (as you will never be
free, no, not now that
you've tasted the fruit) and give the goblins a morsel of their
own.
Should you manage the worms
without flinching, the true final dish is Anna
Sykora's "Article of Faith," like a dark, piquant chocolate
truffle to finish
off both the meal and the day. |
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Poetry
Review--"Tammuz to Ishtar" by Delbert R. Gardner
Amal El-Mohtar, "This
just in: Mythic Delirium 19 rocks like Gibraltar," review
of Mythic Delirium 19,
Summer/Fall 2008, in Voices
on the Midnight Air: Too Low They Build, Who Build Beneath the Stars,
Dec. 24, 2008.
"Tammuz to Ishtar,"
by Delbert R. Gardner, is a beautiful, haunting sonnet that made
me think of some of Duncan Campbell Scott's poems; the rhythm's
tilt from line to line put me in mind of "Watkwenies"
[by D. C. Scott], which I'm sure won't mean anything to those
of you lacking an interest in Canadian Confederation poets, but
all the same. What I mean is, it's lovely. |
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Book
Review--An “Idle Singer” and His
Audience: A Study of William Morris’s Poetic Reputation in
England, 1858-1900 by Delbert R. Gardner
Review of An “Idle
Singer” and His Audience: A Study of William Morris’s
Poetic Reputation in England, 1858-1900 by Delbert R. Gardner
in "Recent Studies in the Nineteenth Century" by Thomas
McFarland, Studies in English Literature, 1500-1900, Vol.
16, No. 4, Nineteenth Century, Autumn 1976, pp. 693-727.
(Sometimes the book in this
review is cited as "An Idle Singer" and His Audience:
The Poetic Reputation of William Morris, 1858-1900.)
Excerpt:
This study is another one of
those deserving dissertations that has found its way into print,
and is . . . laudably professional on its own grounds. . . . It
is perhaps more interesting than such ventures sometimes are, because
Morris' reputation oscillated more than is usual--he had not one,
but several careers, as poet, designer, prose writer, and socialist
propagandist.
Review of An 'Idle Singer' and
His Audience: A Study of William Morris's Poetic Reputation in England,
1858-1900
Author:
Peter Faulkner; Delbert R Gardner
Edition/Format:
Article : English
Publication:
The Yearbook of English Studies, 1977, vol. 7, p. 308-309
Database:
JSTOR
Document Type: Article All Authors
/ Contributors: Peter Faulkner; Delbert R Gardner ISSN:0306-2473
OCLC Number: 479647568 Language Note: English
http://www.worldcat.org/title/review-of-an-idle-singer-and-his-audience-a-study-of-william-morriss-poetic-reputation-in-england-1858-1900/oclc/479647568&referer=brief_results |
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Citations
in Other Sources of Works by Delbert R. Gardner
Quoted in:
Ellis, Steve. Chaucer at
Large: The Poet in the Modern Imagination. Medieval Cultures,
Vol. 24. Minneapolis: University of Minnesota Press, 2000. ISBN
0816633762. See p. 169, note 28.
Delbert R. Gardner has noted
how the comparison between Morris and Chaucer became a stock-in-trade
of Victorian reviews of the former's poetry after 1867, with reviewers
equally divided between those arguing for congruence between the
two poets and those differentiating them on grounds of "characterization,
dramatic power, antiquarianism, and tone." See "The Victorian
Chaucer," chapter 3 of Gardner's An "Idle Singer"
and His Audience: A Study of William Morris's Poetic Reputation
in England, 1858-1900 (The Hague: Mouton, 1975), 35-58. Occasionally,
the two poets were even presented as the complete antithesis to
each other; see "Geoffrey Chaucer and William Morris,"
New Monthly Magazine 149 (1871): 280-86.
Quoted in:
Helsinger, Elizabeth K. Poetry
and the Pre-Raphaelite Arts: Dante Gabriel Rossetti and William
Morris.
New Haven : Yale University Press, 2008. ISBN 9780300122732. Index
indicates the citation: "Gardner, Delbert R., 279n25"
(see note 25 to p. 279).
Dissertation version,
William Morris’s Poetic Reputation
in England, 1858-1900 by Delbert R. Gardner (Rochester,
NY: University of Rochester, 1963, held at the university
library), included on a resource list:
"Science
Fiction, Fantasy, Horror, Utopian, and Dystopian Theses and Dissertations,"
compiled by Leslie Kay Swigart, last updated
September 23, 2004, (c) 2002-2004.
Authors:
E through K.
1963 Gardner, Delbert Ralph
William Morris's Poetic Reputation in England, 1858-1900
[Institution] U Rochester [Country {& State if US}] US-NY [Degree
{B, M, D}] D [DAI & MAI] DA 24: 2030
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